With smart stadiums, distributed production, automation, and data-driven decision-making, we're seeing a sea change in the way sports streams are produced, delivered, and consumed. None of this is a ...
OK, I'll say it. As far as I know, this is the first time any study has compared the quality and performance of codecs representing Essential Video Coding (EVC), Versatile Video Coding (VVC), and Low ...
Adaptive streaming technologies enable the optimum streaming video viewing experience for a diverse range of devices over a broad set of connection speeds. If streaming video is mission critical to ...
MPEG DASH (Dynamic Adaptive Streaming over HTTP) is a developing ISO Standard (ISO/IEC 23009-1) that should be finalized by early 2012. As the name suggests, DASH is a standard for adaptive streaming ...
Welcome to the 2021 Streaming Media 50, our annual list of the most important, most innovative, and most interesting companies in the online video space. It’s the fourth year we’ve capped the list at ...
The sports media sector continues to undergo rapid change, with streaming aggregators attempting to reconsolidate for greater efficiency but still falling short of traditional broadcast models in ...
Let's face it: Until ChatGPT launched, fully formed and instantly useful machine learning and artificial intelligence were buzzwords we almost snickered at, as if their inclusion on a spec sheet was ...
Artificial intelligence (AI) is rapidly transforming the video production industry in profound and multifaceted ways. While AI might be controversial in some circles, it is a cultural movement many ...
When Apple releases encoding specifications, most producers (including myself) tend to give them great weight. After all, Apple invented HTTP Live Streaming (HLS), and produces most of the devices ...
Much of today’s internet video content has settled into a dichotomy of delivery methods: the cost-effective but slightly lagging HTTP adaptive streaming and the ultra-responsive but expensive ...
As much as we love debating the pros and cons of new codecs like AV1, VVC, and LCEVC, independent premium-content publishers have largely ignored them. Take Alliance for Open Media (AOMedia) founding ...
Legal requirements for the captioning of streaming media content in the U.S. became clear for media produced or funded by the federal government with 2010's 21st Century Communications and Video ...
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